Stealing Horses

The Alexandria Campus Book club met on Friday 26 Feb to discuss Per Petersen's novel Out Stealing Horses.

Is the narrator a sympathetic character or someone hard to connect with? Does the novel have an inconclusive ending or is its ending, like life, simply an end and not a conclusion? Was the attention to detail tedious and repetitive or an engrossing slice of life? Has anyone ever read a Scandinavian novel that wasn't bleak?

These and other questions exercised 8 Alexandria faculty members who engaged with Sullivan's story of isolation, alientation and loss.

The next book club selection will be John Patrick Shanley's play Doubt. Copies available in the Library.

Reading The Reader

The Alexandria Campus Book Club met on campus for the first time on Thursday 19 November to discuss Bernhard Schlink's The Reader. Discussion focused on Hannah's decision to go to jail rather than admit her inability to read, and a more general discussion on shame in western culture -- especially in matters of educational accomplishment.

Although several book club members also saw the film, no one took a bath at the meeting.

Book Club Date Change!

The Book Club will meet again on campus on Thursday Nov 19th in room 158 at 2pm.

This is a change from an earlier date which conflicted with an author talk on campus the previous week.

This month's selection is Bernhard Schlink's The Reader (also a motion picture with Kate Winslett). Copies of the book are still available in the Library, and a copy of the film is also on Reserve. You are encouraged to come if you have read the book, or seen the film or both!

It's the Romance and Suspense, stupid!

A multi-disciplinary group of Alexandria Campus faculty* met on Fri 25 September to consider the Teen/ Young Adult phenomenon Twilight. We concluded the combination of romance, suspense, and short sentences plus vampires account for the popularity of an otherwise somewhat unintersting book. And some of us liked the film better.

From Vampires to Nazis...

The Book Club next takes up Bernhard Schlink's The Reader (also a major motion picture!). The Book Club's next meeting will be at 2pm on campus on Thursday 12 November.

* we're not all English profs! Teaching disciplines represented included history, mathematics, biology, economics, physical education, and political science. Plus librarians.

Twilight is a like a vampire...

...it sucks.

So why is the Book Club reading this trashy teen novel? Because teen-agers (and college-aged young adults, and a good many normal adults) are also reading it. What is the appeal of this abstinence-parable (or rape fantasy depending on where you're standing) and why has it sold over 20 million copies? And how did it become a blockbuster movie -- of which which even Peter Travers of Rolling Stone says "The love story has teeth."

(even if some of us thought less love story and more bad vamps would be an improvement):





Stephanie Zacharek of Salon.com went on to pronounce "If you care about pop culture at all, you owe it to yourself to see Twilight." The Alexandria Campus Book Club, dutifully caring about pop-culture, will discuss Twilight on Friday 25 September. Contact Sylvia Rortvedt for more info.

The Allure of Vampires

Why do vampires occupy such recurring and enduring place in our popular culture?

The Sunday Times takes on that question in its review of another vamp pop cult hit, True Blood:

"Vampires are different. Vampire movies transcend their blood-soaked genre in ways that werewolves, mummies and even the misunderstood progeny of Dr Frankenstein can only dream of. Each generation plunders the bloodsuckers’ coffin, pulling out symbols and stories to retell in urgent contemporary narratives that draw in politics, culture and — of course — sexuality.

“Vampire stories were created when it was impossible to write about sex openly, so they arrived laden with sexual metaphors,” says the psychologist Andrew Bates. “At the same time, I think they deal with more existential themes: what happens when you die and how it feels to be the outsider. That’s why they’ve survived the opening up of sexuality in art — although they’ve had to face some pretty grim ironic retelling along the way. Today, there’s a huge mainstream interest in the romanticism of longing and losing they represent.”

Except Twighlight is really all about sex (or at least not having it in high school...).

If Stephanie Meyers doesn't strike you as the Emily Bronte of our age, you might return to the literary fountainhead of vampire stories: Bram Stoker's Dracula.

Twighlight

What do the new kid in school, smoldering romance, vampire orphans, chaste teenagers, and supernatural danger have in common? They are the themes explored in Stephanie Meyer's wildly successful debut novel Twighlight.

Why is the Alexandria Campus Book club reading a runaway teen-age/ young-adult romance? Twighlight's wild popularity among NOVA students means that this is what our students are reading. Think of it as competitive intelligence.

Also now a major motion picture. Surely no one would watch the film instead of reading the book -- teen idol cast notwithstanding.

The Book Club meets to discuss Twighlight on 25 Sept 2009.